By Jason, on March 18th, 2013%
I love a good Winston Churchill quote, and here’s one of my favorites:
“However beautiful the strategy, you should occasionally look at the results.”
Let’s take note reading as an example. Most of us have our tried-and-true methods of teaching students their lines and spaces. There are numerous note spellers, flash cards, mnemonic devices, . . . → Read More: Churchill, Maslow, and the Hula Dance Wrist Technique
By Jason, on May 30th, 2011%
Sorry it’s been awhile, but the semester’s recitals are over, so let the writing resume! Let’s talk about accuracy:
Let’s face it, accurate playing is important. And let’s be honest, when we tell students “the audience didn’t notice,” we’re lying. Big time. Audiences DO notice! They might not recognize that a particular note was . . . → Read More: Nothing but Net
By Jason, on March 9th, 2011% As the dancers were doing one of their repetitive tendu exercises one day, the instructor said “one of my teachers once told me that every time you repeat a movement, you put a penny in the bank – and in performance, you get to cash it in.”
Now, forget all the clever epithets you’ve heard . . . → Read More: A Lesson from Ballet Class, Part 2 (Burger Pedagogy)
By Jason, on March 7th, 2011% Being a piano teacher, most of my work is after school hours, so in the mornings, I’ve taken a job accompanying ballet classes at the local university. It’s been a fascinating experience, and I wanted to share some things that I think have some relevance to the piano lesson.
Ballet classes are typically structured in . . . → Read More: A Lesson from Ballet Class, Part 1
By Jason, on January 25th, 2010% Here’s an exercise I use to help speed up Alberti bass figures:
First, sit so that the C above middle C is directly in front of you.
Second, turn your body to the right so that you’re facing the top C on the keyboard.
Third, practice this, using 5131 5131 for your fingering:
Doing . . . → Read More: The Augmented Alberti Exercise
By Jason, on December 29th, 2009% Two things inspired this post:
The first is Concert Hands, a completely ridiculous piece of technology that you strap on to your wrists and hands to help you learn to play. (Seriously, watch the video, it’s hilarious!)
The second is a description of a teaching technique in Julie Knerr’s excellent article on elementary technique in . . . → Read More: Piano Playing – in 3D!
By Jason, on July 18th, 2009% This week, I thought I’d share one of my favorite pieces, “Monkeys in the Tree” by Boris Berlin. It’s found in Celebration Series Repertoire Book 4, and it’s always a big hit for audiences and performers alike.
Repertoire selection is one of the keys to good teaching, but it’s very difficult to say exactly what . . . → Read More: Monkeys in the Tree
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